|
Ryan Gander
CV
Back to artist's page
|
Born 1976, UK
Lives and works in London
Education
2001-2002 Post-Graduate Fine Art Participant, Rijksakedemie van beeldende kunsten, Amsterdam
1999-2000 Post-Graduate Fine Art Research Participant, Jan van Eyck Akademie, Maastricht
1996-1999 First Class Degree, BA (Hons) Interactive Art, Manchester Metropolitan University, Manchester
Awards
2007 Dena Foundation Award
2006 ABN AMRO Art Award
2005 Baloise Art Statements Prize, Art Basel 2005, CH
Becks Futures Shortlist, ICA, London UK
2004 Cocheme Fellowship, Byam Shaw School of Art, London UK
2003 Prix de Rome for Sculpture, NL
2002 Fellow of Arts Council England
Solo Exhibitions
2009
gb Agency, Paris, F
Boijmans Museum, Rotterdam, NL
2008
Ikon, Birmingham, UK
South London Gallery, London, UK
Kunst Halle St Gallen, Switzerland, CH
Kunstverein Bonn, G
Annet Gelink Gallery, Amsterdam, NL
Tanya Bonakdar Gallery, New York, USA
STORE Gallery, London, UK
2007
Artist Insert, Parkett No. 80
Taro Nasu Gallery, Tokyo, J
More than the weight of your shadow’,Diawa Radiator Factory Viewing Room, Hiroshima, JP
Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, USA
Short cut through the trees, MUMOK, Vienna, AU
The Last Work, Stedelijk Museum, Amsterdam, NL
Of Any Actual Person, Living or Dead (with Aurélien Froment) STORE, London, UK
2006
Ryan Gander, Massimo De Carlo, Milan, I
Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, USA
Didactease, Marc Foxx, Los Angeles, USA
Cinema Verso, Whitechapel East Wing, STORE, London, UK
Spencer, Forget about good, Art Basel, Unlimited with Annet Gelink Gallery, Basel, CH
The title taken from reading that book, (with George Henry Longly), Elisabeth Kauffman, Zurich, CH
Is this guilt in you too (Study of a car in a field), MUMOK, Vienna, AU
Your clumsiness is the next man’s stealth, Annet Gelink Gallery, Amsterdam, NL
Nine Projects for the Pavilion de l’Esprit Nouveau, GAM/MAMbo, Bologna, IT
2005
But it was all green, Artists Space, New York, USA
Of Any Actual Person, Living or Dead, Les Laboratoires dAubervilliers (with Aurélien Froment) Paris, France
Is This Guilt in You Too (Study of a Car in a Field), Art Basel Statements with Annet Gelink Gallery, Basel, CH
Is This Guilt in You Too (Study of a Car in a Field), Annet Gelink Gallery, Amsterdam, NL
Somewhere between 1886 and 2030 (2005), STORE, London, UK
2004
An Incomplete History of Ideas, Cornerhouse, Manchester, UK
But it was all green, Annet Gelink Gallery, Amsterdam, NL
La Galerie dans ma Poche, Leeds and London, UK
2003
But it was all green, STORE, London, UK
The Death of Abbé Faria, Stedelijk Museum Bureau, Amsterdam, NL
2002
Marie Aurore Sorry, The International 3, Manchester, UK
In Return, (with Shahryar Nashat), Centre Pasquart, Bienne, CH
Group Exhibitions
2008
AWOL-Bienniale of Young Artists, META Cultural Foundation, Bucharest, RO
Wouldnt it be nice, Centre dart Comtemporain, Zurich, CH
Self Storage, Curatorial Industries, San Francisco, USA
I desired what you were, I need what you are, Galleria Maze, Torino, I
Within the big Structure, Megastructure, Berlin-Mitte, Berlin, G
Delirious Beijing, PKM Gallery, Beijing, C
Life on Mars, 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, USA
Revolutions- forms that turn, 16th Biennale of Sydney, A
Whitstable Biennale, Whitstable, UK
MARCO, Museo Arte Contemporanea de Vigo, Vigo, ES
Wouldnt it be nice, Somerset House, London, UK
Featuring, Galerie Chez Valentin, Paris, F
The flight of the Dodo, Project Arts Centre, Dublin, IE
One of these things is not like the other things, Unosunove Gallery, Rome, IT
Art Now Curate, Tate Britain, London, UK
Inaugural Show, Maraz Galleria, Lisbon, PT
Frieze Art Fair, London, UK
This is not a void, Galeria Luisa Strina, Sao Paulo, BR
Art Basel Miami, Miami, USA
Future Landscape, Royal Academy, London, UK
2007
Loose Associations, Performa, New York, USA
In the Stream of Life, Betonsalon, Paris, F
For Sale, Cristina Guerra Contemporary Art, Lisbon, P
Wouldn’t it be nice, Centre d’art contemporain, Geneva, CH
Words fail me, MoCAD, Detroit, USA
Lentos Art Museum, Linz, AU
How soon is now, Luis Seoane Foundation, Coruna, ESP
Language of Vision, mima Middlesborough Institute of Modern Art, UK
Without, Yvon Lambert, Paris, F
00S, Lyon Biennale, Lyon, F
Twice told tales, Galerie Michel Rein, Paris, F
You have not been honest, Museo D’Arte Donnaregina, Naples, I
Whenever It Starts It Is The Right Time, Frankfurter Kunstverein, Frankfurt, D
Blackberrying, Christina Wilson Galerie, Copenhagen, DK
Der Droste Effekt, Esther Schipper, Berlin, D
Prediction – Exhibition Trouble, Paris, F
Un touchable, Patio Herrianom - Museo de Arte Contemporáneo, Valladolid, ES
Some Time Waiting, Kadist Art Foundation, Paris, F
Kit Bashing, Western Bridge, Seattle, USA
On the Future of Art School, STORE, London, UK
2006
Constellations, Tanya Bonakdar, New York, USA
Curating the Library, de Singel, Antwerp, B
Projektion, Museum of Art Lucerne, CH
How soon is now?, Fundación Luís Seoane, Coruna, ES
Wrong, Klosterfelde, Berlin, D
The show will be open when the show will be closed, STORE, London, UK
Whitstable Biennale, Whitstable, UK
Le Confort Moderne, La Space Station, Poitiers, F
Le Spectre des Armatures, Glassbox, Paris, F
Trial Balloons, MUSAC, Leon, ES
Don Quijote, Witte de Witte, Rotterdam, NL
Objet a Part, Centre d’art Contemporain, Noisy le sec, F
Cohen and Leslie, New York, USA
Un Touchable, Villa Arson, Nice, F
Tate Triennial, Tate Britain, London, UK
The Standard Hotel, The Standard Hotel, Miami, USA
2005
Spectator T, Sheffield, UK
T1 Triennial, Castello di Rivoli Museo dArte Contemporanea, Turin, I
Free Library, M + R Gallery, London, UK
Romance – A Novel, Cristina Guerra Contemporary Art, Lisbon P
Jaybird, ZERO... Milan, I
Post No Bills, White Columns, New York, USA
An Exhibition Amongst Friends, GB Agency, Paris, F Invisible Script, W139, Amsterdam, NL
Beck’s Futures, CCA, Glasgow, UK
In This Colony, Kunstfort bij Vijfhuizen, NL
Beck’s Futures, ICA, London, UK
A Show Without Works,Project Room, Spazio Lima, Milan, I
The World, Abridged, Kettles Yard, Cambridge, UK
Timeline, The Store & Window 32, Paris, F
2004
Romantic Detachment, PS1, New York, USA
Romantic Detachment, Chapter Arts, Cardiff, UK
Romantic Detachment, Q Arts, Derby, UK
Romantic Detachment, Folly Gallery, Lancaster, UK
Making Public, CBK, Dordrecht, NL
Summer Pursuits, STORE, London, UK
Loose Associations, Centre Pompidou Beaubourg, Paris, F
Loose Associations, Foksal Gallery, Warsaw, P
Artist House, The Round Foundry, Leeds, UK
2003
Catch Me, Onufri, National Gallery of Albania, AL
Tourettes, W139, Amsterdam, NL*
RDV, Résonance, Galerie des Terreaux, Lyon Biennale, Lyon, F
Prix de Rome Winner, Gem, Museum voor Actuele Kunst, Den Haag, NL
Grizedale Artist in Residence, Cumbria, UK
2002
Unloaded, (Disused Military Bunkers), Oberschan, CH
2001
Record Collection, Forde Gallery, Geneva, CH
In a language, Project ruimte zuid en oost, Amsterdam, NL
Year of the Artist Residency, The Lowry, Manchester, UK
2000
The Oriel Mostyn Open, UK
Square City, Holden Gallery, Manchester, UK
Goethe Oak Has Woodworm, Static Gallery, Liverpool, UK
Unfortunately Last Sunday, Museum Het Domain, Sittard, NL
Free Space, Nieuw Internationaal Cultureel Centrum, Antwerpen, B
1999
First show, Four By Four, Amsterdam
Free Space, Nieuw Internationaal Cultureel Centrum, Antwerpen*
High Rising, Victoria Mill, Miles Platting, Manchester
Publications / Reviews
2008
Artforum, Jessica Morgan, Summer Issue XLVI, No. 10 pp 169-170
Frieze, Dan Fox, June-July Issue 116, Front Cover pp 172-177
Birmingham Post, Terry Grimley, 5 February, p 13
What\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'s On, February-March, p 30
Mousse, Fischli & Weiss, January Issue 12, pp 50-51
Art World, Ben Luke, February Issue 3, pp 3, 130-132
Frieze, January-February, Vivian Rehberg; Lyon Biennial, Issue 112, pp 172-175
Metro, Wayne Burrows, 29 January, p 25
The Guardian Guide, 2 February, p 37
The Guardian Guide, 23 February, p 35
ArtReview, by Ryan Gander; Jack Strange, March, p 91
ArtReview, Richard Wentworth, March, p 42
Financial Times, Emily Stokes, 19-20 April
Monopol, May
Arch Magazine, Ryan Gander, I\\\\\\\\\\\\\\\'ve got a joke for you, Editorial 1, pp 23-24
2007
Janus21, Nicola Setari, January, pp 52-57
Janus22, Interivew by Hans Ulrich Orbist, January pp 10-18
Frieze, Dan Fox, May Issue 107, pp 31-34
Studio Voice, October Vol. 382, p 117
Parkett, No.80
Predictions, pp 50-51
Cac Interviu, Raimundas Malasauskas, Summer Issue 7-8, pp 24-29
Lyon Biennial Publication, Francesca Grassi, pp 138-152
2006
Tate etc., Autumn Issue 8, pp 52-53
Globos Sonda Trail Balloons, pp 128-132
Modern Painters, May, pp 50-52
Flash Art, May, pp 131-132
Frieze, (Turin Triennial) April, p 159
The Observer, 26 February, p 9
2005
Art Review, November
Burlington Magazine, Paul Stonard, July
Paris-Art, Petites Compositions entre amis, Alexandre Quoi, Online
Exit Express, ‘Gander at gb agency’, Guillaume Désanges, N° June
Tema Celeste Feature, Daniella Perra, Issue 110, July, pp 52-57
Project Room Catalogue, Spazio Lima.
Beck’s Futures Catalogue, ICA, 1-900300-46-X
The Observer, ‘Tales from the shanty town’, Laura Cumming, 27 March, p 12
The Guardian, ‘Say it with Flowers’, Adrian Searle, 22 March, pp12-13
The Independent, ‘A Very Tidy Show Indeed’, Charles Darwent, 20 March, p 25
The Sunday Times, ‘It Should Fizz’, Waldemar Januszczak, 20 March, pp 6-7
The Daily Telegraph, ‘Futures Imperfect’, Serena Davies, 16 March, p 20
The Guardian, ‘The Chain Gang’, Ryan Gander, 09 March
2004
Frieze, Feature, (Mark Beasley) Issue 86, Oct
Dot dot dot Magazine, ‘The boy part two’, (Ryan Gander) Issue 8, Aug
Trouble, ‘On Roleplay’, (Ryan Gander) in English, On Roleplay, Sept
Trouble, ‘Loose Associations and On Roleplay’, (Ryan Gander) Numero 4,May
SHU Degree Catalogue, Introductory Text, (Ryan Gander) June
We Show Art, Stedelijk Museum Bureau Amsterdam, 9-789075-380767
Freefall, Arts Council England International Fellowships (Ryan Gander) 0-7287-0987-2
Art Forum, (Rachel Withers) February
Time Out London, Store, East End, (Martin Coomer), No. 1736
2003
Metropolis M, ‘On Tino Sehgal’, (Ryan Gander), No. 6,
Dot dot dot Magazine, ‘The boy part one’ (Ryan Gander) Issue 7, Dec
Graphic Magazine, ‘Appendix’, (Ryan Gander and Stuart Bailey), No.2
Metropolis M, ‘Notes on Nothing’, (Ryan Gander) No. 5
Stedelijk Bureau Newsletter, (Matthew Higgs) March
Stedelijk Museum Bulletin Magazine, (Jelle Bouwhuis) March
Dot dot dot Magazine, ‘Loose Associations’, (Ryan Gander) Issue 6 Aug
Artist Publications / Monographs
The Viewing Room, Daiwa Press Co. Ltd (with Taro Nasu)
Heralded as the new black, Ikon Gallery 978-1904864370 (with Ikon Gallery)
Appendix Appendix A Proposal for a TV Series, JRP Ringier 978-3905770193 (with Stuart Bailey and Christophe Keller)
Intellectual Colours Silvana Editoriale and Dena Foundation of Contemporary 13:97888-3660875-1 (with Will Holder)
Parallel Cards, ISBN 978-3-902490-31-5
(with Mia Frostner, Robert Sollis, Paul Tisdell, Rasmus)
Loose Associations and other lectures, One Star Press, Paris (with EUROPA)
From The Alpinist, Fort Vijfhuizen / Artimo, 90-8546-042-5
It’s Like the Spoilt Brat of the Dictionary... STORE, 0-9550142-0-4 (with Alice Fisher)
The Boy that always looked up, Cornerhouse, 0-948797-44-4 (with Sara De Bondt)
Appendix, Artimo 90-75380-60-7 (with Stuart Bailey)
In a language, i3 0-9542058-1-2 (with Sara De Bondt)
Visiting Tutor / Lectures
AA School of Architecture, London, UK
Slade School of Art, London, UK
Goldsmiths College, London, UK
Byam Shaw School of Art, London, UK
École nationale des beaux-arts, Lyon, F
Royal College of Art, London, UK
University of Brighton, Brighton, UK
Chelsea School of Art, The London Institute, London, UK
Leeds Metropolitan University, Leeds, UK
Sheffield Hallam University, Sheffield, UK
Gerrit Rietveld Akademie, Amsterdam, NL
Manchester Metropolitan University, UK
Ruskin School of Drawing and Fine Art, Oxford, UK
Proto-Academy, Edinburgh, UK
UNIDEE Cittadellarte-Fondazione Pistoletto, Biella, I
|
|
